Alphabetical by author:
Review of Amanda Ackerman's THE BOOK OF FERAL FLORA
Review of Socrates Adams' A MODERN FAMILY
Review of James Tadd Adcox's REPETITION
Review of Thomas P. Balazs' OMICRON CETI III
Review of Rusty Barnes' RECKONING
Review of Ken Baumann's SOLIP
Review of Jensen Beach's FOR OUT OF THE HEART PROCEED
Review of Clare Beams' WE SHOW WHAT WE HAVE LEARNED
Review of Lauren Becker's IF I WOULD LEAVE MYSELF BEHIND
Review of Eric Beeny's SNOWING FIREFLIES
Review of Matt Bell's CATACLYSM BABY
Review of Mayank Bhatt's BELIEF
Review of Ryan Blacketter's DOWN IN THE RIVER
Review of Vanessa Blakeslee's TRAIN SHOTS
Review of Christopher Bowen's WE WERE GIANTS
Review of MY VERY END OF THE UNIVERSE (Chris Bower, Margaret Patton Chapman, Tiff Holland, Meg Pokrass, Aaron Teel)
Review of J. Bradley's THE SERIAL RAPIST SITTING BEHIND YOU IS A ROBOT
Review of Ryan Bradley's PRIZE WINNERS
Review of Alan Bray's THE PUPPET'S TATTERED CLOTHES
Review of Rae Bryant's THE INDEFINITE STATE OF IMAGINARY MORALS
Review of Aaron Burch's HOW TO TAKE YOURSELF APART, HOW TO MAKE YOURSELF ANEW
Review of Brian Allen Carr's EDIE & THE LOW-HUNG HANDS
Review of Brian Allen Carr's SHORT BUS
Review of Brian Allen Carr's THE LAST HORROR NOVEL IN THE HISTORY OF THE WORLD
Review of Brian Allen Carr's VAMPIRE CONDITIONS
Review of John Carroll's SLOW BURN
Review of Kevin Catalano's THE WORD MADE FLESH
Review of THEY COULD NO LONGER CONTAIN THEMSELVES (Elizabeth J. Colen, John Jodzio, Tim Jones-Yelvington, Sean Lovelace, and Mary Miller)
Review of Kyle Coma-Thompson's THE LUCKY BODY
Review of Kyle Coma-Thompson's NIGHT IN THE SUN
Review of Sheldon Lee Compton's WHERE ALLIGATORS SLEEP
Review of Sheldon Lee Compton's BROWN BOTTLE
Review of Jeffrey Condran's A FINGERPRINT REPEATED
Review of Brendan Connell's LIVES OF NOTORIOUS COOKS
Review of Brendan Connell's THE GALAXY CLUB
Review of Mark Anthony Cronin's GIGANTIC FAILURES
Review of Christy Crutchfield's HOW TO CATCH A COYOTE
Review of Tara Deal's THAT NIGHT ALIVE
Review of Matt DeBenedictis' CONGRATULATIONS! THERE'S NO LAST PLACE IF EVERYONE IS DEAD
Review of Mike DeCapite's THROUGH THE WINDSHIELD
Review of CS DeWildt's DEAD ANIMALS
Review of Michelle Dove's RADIO CACOPHONY
Review of Gabe Durham's FUN CAMP
Review of Berit Ellingsen's VESSEL AND SOLSVART
Review of Ashley Farmer's THE FARMACIST
Review of Jeff Fearnside's MAKING LOVE WHILE LEVITATING THREE FEET IN THE AIR
Review of Madeline ffitch's VALPARAISO, ROUND THE HORN
Review of Kathy Flann's GET A GRIP
Review of Matthew Fogarty's MAYBE MERMAIDS & ROBOTS ARE LONELY
Review of Craig Foltz's WE USED TO BE EVERYWHERE
Review of Rosie Forrest's GHOST BOX EVOLUTION IN CADILLAC, MICHIGAN
Review of Richard Fulco's THERE IS NO END TO THIS SLOPE
Review of Scott Garson's IS THAT YOU, JOHN WAYNE?
Review of Amina Gautier's THE LOSS OF ALL LOST THINGS
Review of Elizabeth Gentry's HOUSEBOUND
Review of Luke Goebel's FOURTEEN STORIES, NONE OF THEM ARE YOURS
Review of EXPERIENCED, edited by Roland Goity & John Ottey
Review of Elizabeth Gonzalez's THE UNIVERSAL PHYSICS OF ESCAPE
Review of Harmon & Mancuso's THE LIFE AND TIMES OF GROVEY CLEVES
Review of Jonathan Harper's DAYDREAMERS
Review of Bob Hartley's FOLLOWING TOMMY
Review of Ben Hersey's THE AUTOGRAPH OF STEVE INDUSTRY
Review of Steve Himmer's THE BEE-LOUD GLADE
Review of Frank Hinton's I DON'T RESPECT FEMALE EXPRESSION
Review of Aubrey Hirsch's WHY WE NEVER TALK ABOUT SUGAR
Review of Nathan Holic's AMERICAN FRATERNITY MAN
Review of Tiff Holland's BETTY SUPERMAN
Review of Tim Horvath's UNDERSTORIES
Review of Vanessa Hua's DECEIT AND OTHER POSSIBILITIES
Review of Jason Jordan's CLOUD AND OTHER STORIES
Review of Christopher Kang's WHEN HE SPRANG FROM HIS BED...
Review of Steve Karas' KINDA SORTA AMERICAN DREAM
Review of Rosalie Morales Kearns' VIRGINS & TRICKSTERS
Review of M.L. Kennedy's THANKSGIVING FOR WEREWOLVES
Review of Michael Kimball's US
Review of Blake Kimzey's FAMILIES AMONG US
Review of Tim Kinsella's LET GO AND GO ON AND ON
Review of Jonathan Kline's THE WISDOM OF ASHES
Review of Darby Larson's IRRITANT
Review of Tara Laskowski's BYSTANDERS
Review of SPARK: A CREATIVE ANTHOLOGY, VOLUME I (Ed. Brian Lewis)
Review of Karen Lillis' WATCH THE DOORS AS THEY CLOSE
Review of Sara Lippmann's DOLL PALACE
Review of Norman Lock's AMERICAN METEOR
Review of Norman Lock's THE BOY IN HIS WINTER
Review of Norman Lock's THE PORT-WINE STAIN
Review of Lavinia Ludlow's SINGLE STROKE SEVEN
Review of Ryan MacDonald's THE OBSERVABLE CHARACTERISTICS OF ORGANISMS
Review of Grant Maierhofer's FLAMINGOS
Review of Megan Martin's NEVERS
Review of Tara Lynn Masih's MY REAL NAME IS HANNA
Review of Jordaan Mason's THE SKIN TEAM
Review of Rob McLennan's THE UNCERTAINTY PRINCIPLE
Review of Jen Michalski's THE TIDE KING
Review of Nathaniel G. Moore's JETTISON
Review of Edward Mullany's THE THREE SUNRISES
Review of Sequoia Nagamatsu's WHERE WE GO WHEN ALL WE WERE IS GONE
Review of Sawako Nakayasu's THE ANTS
Review of JoAnna Novak's LAPS
Review of Brian Oliu's SO YOU KNOW IT'S ME
Review of Josh Olsen's SUCH A GOOD BOY
Review(s) of Lance Olsen's THEORIES OF FORGETTING & [[THERE.]]
Review of Daniela Olszewska's CITIZEN J
Review of Kelcey Parker's LILIANE'S BALCONY
Review of David Peak's MUSEUM OF FUCKED
Review of Sam Pink's WITCH PISS
Review of Steph Post's A TREE BORN CROOKED
Review of Sara Pritchard's HELP WANTED: FEMALE
Review of Farideh Razi's VIS & I
Review of Ryan Ridge's AMERICAN HOMES
Review of Ryan Ridge's HEY, IT'S AMERICA
Review of Ryan Ridge's HUNTERS & GAMBLERS
Review of Nick Ripatrazone's THIS DARKSOME BURN
Review of Ethel Rohan's GOODNIGHT NOBODY
Review of Ethel Rohan's CUT THROUGH THE BONE
Review of Robert James Russell's MESILLA
Review of Selah Saterstrom's SLAB
Review of Matthew Savoca's I DON'T KNOW I SAID
Review of Laura Ellen Scott's DEATH WISHING
Review of William Todd Seabrook's THE IMAGINATION OF LEWIS CARROLL
Review of Greg Shemkovitz's LOT BOY
Review of Hasanthika Sirisensa's THE OTHER ONE
Review of Justin Sirois's FALCONS ON THE FLOOR
Review of Sam Slaughter's WHEN YOU CROSS THAT LINE
Review of Bud Smith's F 250
Review of Claudia Smith's QUARRY LIGHT
Review of Curtis Smith's BEASTS AND MEN
Review of William Bryan Smith's FREE RANGE MEN
Review of Samuel Snoek-Brown's BOX CUTTERS
Review of Garrett Socol's GATHERED HERE TOGETHER
Review of Amber Sparks' MAY WE SHED THESE HUMAN BODIES
Review of Sparks', Kloss', and Kish's THE DESERT PLACES
Review of Ben Spivey's BLACK GOD
Review of Ben Tanzer's ORPHANS
Review of Ben Tanzer's THE NEW YORK STORIES
Review of Ben Tanzer's SEX AND DEATH
Review of Aaron Teel’s SHAMPOO HORNS
Review of Jennifer Tseng's THE PASSION OF WOO & ISOLDE
Review of Chris Vola's MONKEYTOWN
Review of Matthew Vollmer's GATEWAY TO PARADISE
Review of John Carr Walker's REPAIRABLE MEN
Review of Troy James Weaver's WITCHITA STORIES
Review of Tim Weed's A FIELD GUIDE TO MURDER & FLY FISHING
Review of Theodore Wheeler's ON THE RIVER DOWN WHERE THEY FOUND WILLY BROWN
Review of Tom Williams' DON'T START ME TALKIN'
Review of Lex Williford's SUPERMAN ON THE ROOF
Review of D. Harlan Wilson's PRIMORDIAL: AN ABSTRACTION
Review of Christian Winn's NAKED ME
Review of Colin Winnette's COYOTE
Review of xTx's TODAY I AM A BOOK
Review of Bonnie ZoBell's WHAT HAPPENED HERE
