Bob Hartley. Červená Barva Press, $17 (104p) ISBN
978-0-9831041-8-6
This first novel has the virtue of brevity. The language
that Bob Hartley, whose MFA was awarded by the University of Pittsburgh,
deploys in service of his story is a model of concision. The story the author
tells is, to my ears, honest and true and quite devastatingly probable. The two
O'Day brothers are mildly violent, badly educated petty criminals. The
working-class Chicago they inhabit is divided between churchgoers and wise
guys, and they are the latter, to their mother's despair. Her early death deprives
the boys of nothing in the way of guidance, as they are in their late teens at
the time. Her contribution to the story is minimal, so the reader doesn't miss
her either. This is probably a function of the shortness of the book.
Perhaps my less-than-ecstatic response comes from my
inability to relate to Jacky, our first-person narrator. He's a straight
teenaged hooligan whose desire for and discussion of the girls he imagines
while masturbating grated on me. It might also be that I internalized more completely
than I'd like to examine the class prejudices of my family and regard the
"family" of drunks and hooligans that the O'Days represent with lips
pressed firmly together so as not to curl them while dismissing these
common-as-pig-tracks people with labels like "white trash" and
"bogtrotting shanty Irish bastards."
Whatever the source of my absence of goodwill towards the
book, it took me a month to read its 104pp and I was angry the entire time I
was reading it. I suspect that Hartley deserves praise for this, because I
responded to the characters as real people, and the story as more of a
confession than a novel. Jacky and Tommy commit acts of idiot violence, they
get caught and suffer at the hands of a casually brutal neighborhood cop
(nicknamed "the Giant"), and while I don't like the cop any better
than I like any of the other people, I at least felt he had some purpose in his
viciousness that I could relate to if not condone.
The evocation of the early-1960s changing world, the one in
which African-American people like the O'Days' new neighbors on Menard Street,
were at last imagining a better and fairer world was within sight, was
painfully spot-on. Hartley gets the sociopath Tommy's response to an
African-American family moving into the Irish neighborhood chillingly
accurately, at least from the people I've known over the years who had this
experience. The fact that I experienced none of it, as I lived in a lily-white
world of privilege and watched the race wars on our 26-inch color TV, makes that
observation suspect. But Hartley brings me close enough to these yobbos that I
can smell their greasy hair and cigarette stink, so I trust that he's got the
responses down pat.
Encountering the O'Day brothers,
then, wasn't in any particular a homecoming experience. It was an outrage.
Jacky's passive, follow-the-leader nature caused me the kind of pain that
sucking on an alum stick causes...puckery-lipped, tongue-curling, bad-tasting
spitlessness. Tommy, the sociopathic shitheel older brother that Jacky follows,
evoked the kind of nauseated disdain that I find myself prone to when
confronted with blank-eyed hate-filled people. That Tommy's violent actions,
escalated to new heights, lead to the conclusion the novel presents is a grim
reality of life lived on those terms.
That Jacky makes his decision about
what kind of life he wants to lead in terms of Tommy and his actions is sadly
believable.
Hear my passionate disdain for the people brought to life
here and decide for yourself what kind of reading experience this short novel
will be for you. One thing I am quite sure of: You will not be left
indifferent. Angry, perhaps. Not indifferent, not bored. That is a lot more
than I can say for most books I'm exposed to. If this debut is a reliable
indicator of Bob Hartley's intended career path, his writing will earn him a
following among the Jim Thompson and Donald Ray Pollock fans. (July 2012)
Purchase Following
Tommy HERE.
Reviewer bio: Richard
Derus is a biblioholic and a passionate reader. From underneath his tottering
towers of unread tomes, he writes obsessively about his darlings at Shelf Inflicted (a group blog), Goodreads (where
he is a Forbes 25 top reviewer), LibraryThing (where
his personal library is comprehensively cataloged), and Expendable Mudge Muses Aloud,
where many otherwise unknown books are praised, panned, or poked fun at.
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